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TOP 10 Artists
1 DELVAUX Paul
2 MAGRITTE Rene
3 FOLON Jean-Michel
4 DALI Salvador
5 FINI Leonor
6 Man RAY
7 CARZOU Jean
8 BRASILIER Andre
9 ICART Louis
10 DANCHIN Leon
 
Media (1891)
Graphics [1022]
Drawings [27]
Paintings [28]
Art Jewelry [1]
Ceramics [12]
Sculptures [57]
Posters [212]
Miscellaneous [2]
Philately [12]
Art Books [518]

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ADAMI Valerio
AGAM Yaacov
ALECHINSKY Pierre
ALTMAN Harold
ANDIVERO Antonio
ANTONIO
APPEL Karel
ARBARETAZ Jean-Louis
ARMAN Fernandez
AVATI Mario
BAJ Enrico
BELLMER Hans
BEN (Benjamin VAUTIER)
BERROCAL Miguel
BERTRAN Andre
BEZ Jacqueline
BLANPAIN Jean-Pierre
BOGAERT Gaston
BONNARD Pierre
BONNEFOIT Alain
BRASILIER Andre
BRAYER Yves
BRILLANT Gilou
BRISSON Pierre-Marie
BUFFET Bernard
BURY Pol
CALDER Alexander
CARCAN Rene
CARZOU Jean
CATHELIN Bernard
CAVALLE Salvador
CESAR
CHAGALL Marc
COIGNARD James
CULPEPPER Joseph
DALI Salvador
DANCHIN Leon
DAVID Jose
De CHIRICO Giorgio
de KOONING Willem
de SAINT PHALLE Niki
DEBERDT Francoise
DEBUTLER Jacqueline
DEFOSSEZ Alfred
DEGANS Xavier
DELACROIX Eugene
DELAUNAY Robert
DELAUNAY Sonia
DELPORTE Charles
DELUCA Peter
DELVAUX Paul
DINE Jim
DONADINI Jean-Paul
DUPONT Michel
DUSSAU Georges
ENSOR James
ERNST Max
FAYET Marie-Therese
FINI Leonor
FITREMANN Gerard
FLAMENG Francois
FOLON Jean-Michel
FORT Esteve
FOUJITA Leonard
FRANCIS Sam
FRIEDLAENDER Johnny
FULLA Prim
GANNE Yves
GANTNER Bernard
GAVEAU Claude
GLASER Milton
GOCKEL Alfred
GOEZU Andre
GORODINE Alexis
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GREENHALF Robert
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HAUCK Norma C
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HEINE Jean
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HERGE
HILAIRE Camille
HILON France
HOSTALLERO Gary
HUNDERTWASSER Friedrich
HWANG Kyu-Baik
ICART Louis
IVANOV Alexander
JANSSEN Horst
JORDEN Robert
KHNOPFF Fernand
KITSLAAR Hans
KLEE Paul
KRAMER Mireille
KUHN Volker
KWASNIEWSKA Barbara
LABISSE Felix
LAM Wifredo
LANDUYT Octave
LAURENCIN Marie
LEGER Fernand
LICHTENSTEIN Roy
LINCKE Hartmut
LORJOU Bernard
LUBAROW Renee
LUCEBERT
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MAGRITTE Rene
Man RAY
MARA Pol
MARTIN Magdeleine
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Jacques VILLON
View this artist's available pieces here.
France
1875 - 1963
Cubism
VILLON Jacques

Jacques Villon (July 31, 1875 – June 9, 1963), also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker.
Jacques Villon was a powerful figure in the history of modern painting. His birth name was Gaston Duchamp. One of the gifted artistic family of a Rouen notary, Jacques Villon worked in a law office when he left school but found sparetime art studies more interesting.
In 1894, he came to Paris where he studied at Atelier Cormon and met the habitues of the cafes and dance halls. He adopted the profession of Toulouse Lautrec, Steinlen, and Forain, doing humorous drawings for periodicals, Le Rire, Gil Blas, and Le Courrier Francais. Those years of drawing and engraving established a formative discipline. He exhibited with the Salon d'Automne from its foundation in 1904 and took up portrait painting for a short time.
About 1911, Cubism became a major interest and to the tenets held by Picasso, Gris and to others he added some of his own, including a higher key to his palette. Another principle he adopted was the system of pyramidal vision formulated by Leonardo da Vinci based on his theory that the lines if extended to a certain point would converge into a pyramidal form. In 1912, Villon with his brothers Marcel Duchamp and Raymond Duchamp- Villon, his sister Suzanne and fellow artists Gleizes, Leger, Metzinger, Kupka, La Fresnaye, Picabia, and Delauney formed the Section d'Or group. It developed the precept of the Golden Section and extended the analytical approach to Cubism to reconstituting the whole subject with intensification of its poetic and dream-like qualities.

After military service, Villon returned to painting and from 1919 to 1922 followed an abstract line of experiment. This involved the rejection of natural appearance completely and attempting to suggest its essence by overlapping planes of muted tones of grey and brown. Finding little material satisfaction in painting, Villon returned to engraving and until about 1930 he was obliged to produce an unrewarding succession of prints. It was however a solace to find his early success in the United States, when he had sold nine pictures at the original Armory Show in New York in 1913, was partially repeated when he showed at the Brummer Gallery, New York, in 1928 and later in Chicago. The quiet and thoughtful devotion to his inventive and exploratory marriage of vision to the autonomy of paint and his capability of evolving pictures full of mood and stimulation give Villon a secure place in the hierarchy of French painting attuned to the movement of Modern Art and its non-conformity while preserving the national reverence for the authority of paint and its immutable importance in transmitting color sensation. ...

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